Disclaimer
Disclaimer
(The ACTOR stands facing the audience.)
Before we begin, I’ve been asked to make a brief statement on behalf of the company, the artistic director and the management of this theatre.
Dear Audience,
You are hereby advised
That the following performance
And the text it is based on
Contain absolutely nothing
That reflects any opinion
Expresses any sentiment
Records any observation
Of anything
Going on anywhere
In your city
In your country
Or in the world.
(STAGEHAND brings ACTOR a chair.
ACTOR sits naturally, without acknowledging STAGEHAND.)
You may relax
Safe in the knowledge
That nothing we do or say
Will in any way
Confront you
Challenge you
Stimulate you
Affect you
Offend you
Make you think
Make you see
Make you aware
Of anything you’ve come here tonight
To avoid
To escape
To ignore
To forget
To deny.
(During the following, the STAGEHAND proceeds
to tie ACTOR to the chair, methodically: legs,
arms, torso. The ACTOR puts up no resistance,
does not acknowledge the STAGEHAND, and keeps
speaking naturally.)
Dear audience,
In consultation
With friends
Colleagues
Cultural and civic leaders
Lawyers
And selected focus groups,
We have carefully
And with the utmost concern
For your comfort and well being
Removed all traces of content
That could in any way be taken
As even potentially offensive
To any person
Or group of persons
Of any gender
Race
Religion
Political persuasion
Sexual orientation
Geographical area
Or demographic.
We have carefully excised anything
That might raise anyone’s hackles
Rub anyone the wrong way
Make anyone shift in their seat
Make anyone examine
With anything other than a clear conscience
Their investments
Their voting habits
Their magazine subscriptions
Their prejudices
Of which
We hasten to add
You have none.
Dear audience,
We will not provoke you
We will not antagonize you
We will not discomfort you
We will not endanger your happiness
By reminding you of anyone
Whose happiness
Whose comfort
Whose lives
Have been destroyed
That yours might better thrive.
There are no such people
And if there were
We would not portray them
Or even mention them
In any context
That would so much as suggest
That their problems,
If they had any,
Had anything whatsoever
To do with you
With us
Or with anybody.
They don’t.
That is, they wouldn’t.
Dear audience,
The characters we play
The situations we portray
The actions we perform
The images we evoke
Have one reality
And one reality only
And that is stage reality.
In no way, shape or form
Are they to be taken as standing for
Symbolizing
Referring to
Recalling
Being analogous to
Or even faintly resembling
Anything offstage.
If, however, dear audience,
You should find yourself,
Nonetheless,
Starting to become dimly aware
Of some faint reminder
Of something you would rather not
Be reminded of,
Rest assured, dear audience,
It’s just a coincidence,
Completely unintentional.
Nevertheless,
If this should happen,
We invite you to complain
To the company
To the artistic director
And to the management of this theatre
And to denounce us all
In the most unsparing terms
As your victimizers,
As the perpetrators
Of an assault
Upon your sovereign right
Not to be offended.
Call us to account
And we will redouble our efforts
To see that it never happens again.
(The STAGEHAND has by now finished tying the ACTOR
and stands by, waiting.)
Now, on with the show.
(The STAGEHAND places a hood over the ACTOR’s head.
The STAGEHAND exits.
The ACTOR sits absolutely still.
Full minute before abrupt blackout.)

